Friday, November 15, 2013

Visual to Textual -- The Dark Knight Rises

--One of the problems discussed in the introduction is the transmedialization of film to books. This problem of transferring visual to verbal is by far the biggest problem facing the novelization.The following excerpt from the film The Dark Knight Rises and its novelization demonstrate this difficulty in crossing from visual to verbal. In this scene, the audience (or reader) discovers the curious maid's true characterization: a confident, sassy cat burglar. There is a key moment when Bruce Wayne confronts Selina Kyle's seemingly innocent facade and she realizes that it's pointless to continue. Before the transformation takes place (and because readers must imagine what is going on and how people look), the text has to help readers out by noting that "she struck him [Bruce Wayne] as very young and embarrassed." The moment of change in character from "young and embarrassed" maid to a cocky, sensual cat burglar is split-second and very effectively executed in the film. However, in the novelization, the time it takes to realize what has just happened renders the experience somewhat bland and unintimidating. In short, the extremely visual scene has missed its mark in book form.




The sitting room was just as expensively furnished as the rest of the mansion. Despite the urgency of her mission, she couldn’t resist taking a moment to snoop around.
Careful, she warned herself. Don’t dawdle too long.
A set of framed photos, some noticeably singed around the edges, occupied a place of honor upon a table She recognized Thomas and Martha Wayne, tragically murdered in an alley more than three decades ago. A third frame held a portrait of an attractive brunette who somehow managed to look serious, even when she was smiling for the camera.
Rachel Dawes, realized the maid, who had done her homework. Harvey Dent’s dead girlfriend. Killed by the Joker—or so they say—shortly before Dent was killed by the Batman.
The row of pictures was like a miniature cemetery, complete with headstones. The maid ran her fingers over the gilded frames before moving on to the most conspicuous oddity in the room—a full-sized archery target mounted to a large wooden cabinet. More than a dozen arrows were stuck in the target, clustered around the bulls-eye. Intrigued, she reached out to inspect one of them, only to yank her hand back as a new arrow thwacked into place, only inches from her fingers.
Startled, she spun around to see Bruce Wayne, looking rather more haggard than the dashing billionaire playboy the world remembered. He stood at the other end of the room, clutching a large compound bow. She was impressed, despite herself.
She couldn’t remember the last time someone had snuck up on her.

Bruce lowered the bow. He put it aside and picked up his cane.
“I’m. . . I’m terribly sorry, Mr. Wayne,” the maid stammered sheepishly. She struck him as very young and embarrassed. “It is Mr. Wayne, isn’t it?”
He nodded and limped toward her.
“Although you don’t have any long nails,” she babbled nervously, “or facial scars…” Her voice trailed off.
Bruce inspected the inquisitive young intruder. He didn’t recognize her as one of the regular maids. Must be a temp taken on for tonight’s festivities, he figured. Couldn’t resist snooping around.
“Is that what they say about me?” he asked. She shrugged.
“It’s just that…nobody ever sees you.”
That’s the idea, he thought.
A flawless pearl necklace graced her slender neck. Bruce came closer.
“That’s a beautiful necklace,” he commented. “Reminds me of one that belonged to my mother. It can’t be the same one, though. Her pearls are in this safe—”
A large mahogany bureau rested against a wall. He used his cane to press down on a recessed wooden panel, which slid aside to reveal a hidden compartment.
“—which the manufacturer assured me was uncrackable.”
The door of the safe swung open.
“Oops,” the maid said. “Nobody told me it was supposed to be uncrackable.”
Her whole attitude changed in an instant. She dropped the coy, girlish act and took on a cockier, more confident posture. It reminded him of the way he had once discarded the role of a careless, immature playboy, whenever it was time to let his true self out. He was impressed, despite himself.
Bruce nodded at the pearls.
“I’m afraid I can’t let you take those.” They had been a gift from his father, which his mother had worn on the night they were both murdered. In a very real sense, they had cost his parents their lives. He wasn’t about to let anyone walk away with them.
“Look,” she said, smiling, as she stepped toward him, acting not at all concerned about being caught red-handed. She sized him up with a look. “You wouldn’t hit a woman any more than I would beat up a cripple…”
Without a warning, she kicked the cane out from under him. A karate chop to his shoulders dropped him to the floor. His bad knee screamed in protest as he hit the carpet. He clutched the injured joint.
“Of course,” she added, “sometimes exceptions have to be made.”
With a move worthy of an Olympic gymnast, she vaulted onto the bureau, taking the pearls with her. A high window provided a ready egress. “Good night, Mr. Wayne,” she said teasingly, before flipping backward out the window. Bruce heard her touch down lightly in the gardens outside.


 



* * *

--Later in the movie, an extensive high-speed road chase takes place after Bane and his crew hijack the Gotham stock exchange. Batman joins the fray and ends up cornered by the police. While an entire car chase scene is certainly incompatible with the written word, an important piece comes at the end of this particular chase scene where Batman finds himself cornered, or so it seems. Whereas in the movie no words are necessary to show that Batman is cornered, in the text, the novelizer has to help us along, making sure that we know that Batman has no escape. The surprise getaway on Batman's part (both visually and aurally) is surprising and thrilling when viewed on-screen, and the audience can see what the policemen see. However, in the text, the description of the vehicle is vague and it is clear that the novelizer could only guess what it was supposed to look like in the finished product. A visually stunning set-piece is reduced to a "black-matte aircraft" with "overlapping wings," "grilled metal vents," and "dual motors" and a "deafening roar" is conveyed by a capital VAROOM with four o's. The author has no choice but to attempt to make the visual verbal.



“How did you let him go?” Foley demanded.
The radio squawked in his grip.
He’s got a lot of firepower.”
“And you don’t?” Foley wasn’t accepting any excuses.
“We’re not letting one nut with a bad attitude and some fancy gadgets run this town again, you hear me?”
      “He’s heading back downtown.”
Foley grinned.
“Then he’s as dumb as he dresses.” SWAT teams were already in place downtown following the attack on the stock exchange. He got the horn to Allen. “Close it down, gentlemen.”
Blake turned the cruiser around, joining the thousands of other cops converging on the downtown area. He’d never seen this many units chasing after a single suspect. Jockeying for position amidst the swarm of vehicles, he managed to get out ahead of the other patrol cars.
His eyes widened as he spotted Batman up ahead. He recognized the vigilante’s one-of-a-kind cycle from grainy news footage of Batman’s confrontation with the Joker years ago. Batman had once flipped over a speeding semi-trailer using the vehicle’s built-in grappling hook and cable. Despite his visit ot Wayne Manor, Blake had never really expected to see it with his own eyes.
Is this my fault? he wondered. Did I drag him out of hiding?
Batman zoomed down a wide boulevard, only to find another wave of cop cars charging at him from the other end of the street. Soaring choppers caught him in their searchlights, exposing him to the world. He was trapped in a vise made up of two oncoming walls of cars.
But he didn’t slow down. His cycle did a sharp ninety-degree turn, flipping over in the process, and darted into the sheltering darkness of a large blind alley. Cops cars squealed to a halt, blocking the entrance. The choppers hovered above them, providing air support. It looked like Batman had nowhere left to go.
Blake hit the breaks at the perimeter of the police lines, sealing the bottleneck. Foley jumped out of the cruiser and stalked toward the narrow opening between the buildings.
The young cop hurried after him.
“Like a rat in a trap,” Foley said confidently. He reached out for a bullhorn which was thrust into his hand. He started to raise it to his lips.
VAROOOOM.
A deafening roar, coming from the alley, drowned out whatever the deputy commissioner intended to say. The assembled cops exchanged puzzled looks. None of them, including Blake, knew what sort of machine could produce such a roar.
That’s no motorcycle, Blake realized.
“You may have the wrong animal there, sir,” a nearby cop said.
The copters’ spotlights blew out and a massive dark cyclone roared out of the narrow roadway, high above the street level, spinning the choppers sideways. Blake stared in awe at an intimidating matte-black aircraft like nothing he had ever seen before. Overlapping wings caught the air, while shielding grilled metal vents. A transparent windshield offered a glimpse of Btman seated inside a heavily armored cockpit. Dual rotors produced a powerful downdraft, forcing the cops to the ground. Flying dirt and litter were whipped about by artificial winds.
The craft thundered over the assemblage of GCPD, taking off into the sky.
Blake couldn’t resist.
“You sure it was him?” he asked.



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